| Nick Toczek | |
|---|---|
| Born | Nicholas Toczek 20 September 1950 Shipley, Bradford, England |
| Occupation | Writer |
| Nationality | British |
| Genres | Poetry, Music, Journalism |
Nick Toczek is a British writer and performer working variously as poet, journalist, magician, vocalist, lyricist and radio broadcaster. He was raised in Bradford and then took a degree in Industrial Metallurgy at Birmingham University (1968-1971) where he began reading and publishing his poetry. Staying on in Moseley, Birmingham until 1977, he founded his poetry magazine The Little Word Machine, had several books and pamphlets published by small presses, co-founded Moseley Community Arts Festival, and toured with his music and poetry troupe The Stereo Graffiti Show. Moving back to Bradford in 1977, he co-founded the seminal music fanzine The Wool City Rocker and formed the band Ulterior Motives in which he was lyricist and lead vocalist. Continuing to tour as a poet and to publish his writings, he also recorded songs with a variety of bands. During the early eighties, he ran a series of weekly punk and indie gigs. Throughout the late eighties and early nineties, he ran weekly alternative cabaret clubs, usually co-organising these with fellow performer Wild Willi Beckett. Since the mid-nineties, his collections of children’s poetry (first with Macmillan and later with Hodder, LDA, Caboodle, etc.) have seen him become a best-selling children’s writer. Also, since 1997, he’s been regularly collaborating with the composer Malcolm Singer, starting with their Dragons Cantata. By 2011, he had worked as a visiting writer in thousands of schools, visiting dozens of countries worldwide in the course of this work. He is also a professional close-up magician, a skilled puppeteer, an authority on far-right neo-Nazi and racist groups, a prolific print journalist and an experienced broadcaster.
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Nick Toczek was brought up in Bradford where he was educated at Frizinghall Road School (briefly), Victoria Park Preparatory School and Bradford Grammar School. He then took a BSc in Industrial Metallurgy at the University of Birmingham, graduating with 3rd class Hons in 1971.
While at university, he began to read his poetry in public and was co-founder and co-editor the campus poetry magazine, Black Columbus (nine editions, one per term, 1969–72).
He lived in Moseley in Birmingham until the summer of 1977. Based in a flat on Queenswood Road, he launched his own poetry magazine, The Little Word Machine, in 1972. Eleven editions appeared before it folded in 1979. In 1977, as a spin-off from the magazine, he published and co-edited (with Philip Nanton and Yann Lovelock) Britain’s first substantial anthology of black writing, Melanthika: An Anthology of Pan-Caribbean Writing, under the imprint LWM Publications.
In 1974, he co-founded the annual Moseley Community Arts Festival and was its director for several years. In 1975, he was a founder-member (and manager) of the poetry and music group, Stereo Graffiti, which debuted at The Ilkley Literature Festival in May of that year. Thereafter, the group toured throughout the UK before disbanding in 1977.
Toczek writes every day. He says: “If I was an athlete, I’d need to train on a daily basis. As a writer, I therefore make myself write every day. It’s a routine I’ve followed since I was a teenager.”
In the late 1960s, his poetry began to appear regularly in journals. Some of his short punning poems appeared in The Sunday Times and again in two collections they published entitled Worse Verse (1971) and More Worse Verse (1972).
After a poetry reading in a Birmingham pub, he was invited by J.C.R. Green, director of the Birmingham-based Aquila Publishing Company to submit a short manuscript. In 1972, this first collection duly appeared as a pamphlet entitled Because the Evenings.[1] It was the start of a decade-long working relationship which saw Aquila publish four more collections of his poetry and an early novella, Autobiography of a Friend.[2] Over this period, various other small presses also published single collections.
During the last half of 1976 and the first few months of 1977, he was drawn into punk after seeing Birmingham gigs featuring The Clash, The Ramones, The Adverts, The Slits, The Vibrators, Blondie, The Prefects, Talking Heads and more. After he and his then-partner and fellow Stereo Graffiti member, Kay Russell, moved to Bradford in the summer of 1977, they formed the band Ulterior Motives, releasing a single Y’Gotta Shout c/w Another Lover on their own label, Motive Music, in 1979. That December, the pair co-edited and published the first edition of the seminal indie rock mag, The Wool City Rocker. Toczek and Russell split up in mid-December and, at a Christmas Day party, he met his future wife, Gaynor.
Under Toczek’s editorship, The Wool City Rocker appeared monthly throughout 1980 during which time it changed from being Bradford-focussed to covering the whole of the north of England, later editions each including a free flexi-disc of northern bands. A final edition, #14, appeared in the summer of 1981.
Toczek continued to tour and record with Ulterior Motives until the band split up in 1982. Since then, he’s toured as a solo artist.
For four years, from March 1982 until April 1986, Toczek ran weekly punk (and later indie) gigs at assorted venues throughout the Leeds-Bradford area, sometimes as many as five a week, each with suitably lurid names (Gory Details, Fatal Shocks, Natural Disasters, etc). In September 1986, Toczek formed a business partnership with Willi Beckett (performance poet, frontman of The Psycho Surgeons and leading light of The Monster Raving Loony Party) to run a weekly alternative cabaret club under the name of his long-defunct show, Stereo Graffiti. The alternative cabaret scene soon took off and this project blossomed, continuing under different names and in a variety of West Yorkshire venues until the mid-nineties. It spawned various side projects including Bradford Writers’ Group (which the pair founded in 1987) and a Festival of European Community Literature (which they ran in April 1989).
On 8 September 1984, he and Gaynor (nee Doherty) were married. Their daughter, Rebecca, was born on 23 December 1986 and their son, Matthew, on 20 August 1990.
In the autumn of 1993, Toczek began a two-year stint as W.H. Smith resident storyteller at Eureka! the children’s museum in Halifax, West Yorkshire. In 1995 and again in 1996, he was an MP in the Channel 4 TV debating programme, The People's Parliament.
Since 1997, Toczek has collaborated with the composer Malcolm Singer. Their first joint work, a cantata using Toczek’s dragon poems, was performed at London’s Royal Albert Hall in 1998. Toczek later worked on a storyline and then a play-script in order to turn the cantata into a musical which was published as Dragons! The Musical by Golden Apple in 2005. While he was working on this, Toczek was asked to write a pantomime for Golden Apple. This was Sleeping Beauty's Dream which they published in 2003. In 2004, Perfecr Pitch, another Toczek-Singer cantata, this time based on Toczek’s football poems, was performed at The Barbican in London. A further collaboration, this time a political opera entitled The Jailer's Tale, was premiered at The Arts Depot, also in London, in February 2010.
Since it was founded in the mid-1980s, Toczek has produced weekly shows for Bradford Community Broadcasting. His current show, InTOCZEKated, has been running since 1991.[3]
The 1997 poetry anthology, The Spirit of Bradford, which Toczek co-edited with David Tipton, won a Raymond Williams Community Publishing Award. A short programme on writing poetry which he made in 2000 for the Channel 4 Education series, Just Write, was BAFTA-nominated. And, in 2002/3, his poem, Responsibilities, featured in an award-winning TV advert. In 2004/5, he was employed as a consultant and contributor on BBC TV’s new digital curriculum for schools.
Since 2004, he’s also worked regularly as a professional magician. He says: “It’s another of those things that I started as a hobby and it just escalated.”
Toczek has been writing lyrics and recording his songs with a wide variety of musicians since the mid-1970s, releasing album and EPs, and contributing to compilation albums. He co-wrote the lyrics (with Pete Doherty) of the popular Babyshambles song Baddie’s Boogie.
During the 1980s, Toczek wrote for the short-lived music weekly, Musicians Only,[41] before becoming a features writer on the seminal Edinburgh-based pop culture monthly, Cut.[42] Throughout the 1980s he also wrote on literature and the arts for the monthly Arts Yorkshire[43][44]and had his own column in the weekly Bradford Star,[45] for which he also wrote a series of pieces on his experience of adventure sports. Since the early 1980s, he’s been collecting an archive of far-right and racist literature, especially from Britain and America. His 1991 book, The Bigger Tory Vote[46] details racist activity in the UK. In the immediate aftermath of the April 1995 Oklahoma City bombing, he wrote lengthy features for The Guardian, The Independent on Sunday,[47][48] Pagina (Argentina),[49] The South China News (Hong Kong)[50] and Rheinisher Merkur (Germany).[51] He’s since been employed as a researcher by most UK newspapers and has appeared in this capacity on numerous UK TV and radio programmes. In 2006, he returned to rock journalism as a features writer for the Bradford-based northern fanzine, Mono.[52] After that folded two years later, he moved to the UK bi-monthly, Rock’n’Reel, which changed its name to R2[53] in 2009, and for which he continues to write.
In September 1986, Toczek began work as a part-time degree course lecturer in the English Department at Bretton Hall College in Wakefield. In all, he was there for eleven years during which time he developed and tutored first, second and third year courses in a wide variety of subjects including the short story, creative writing, film studies, post modernism, global image, aesthetics, and modernism. He also gave annual lectures in the Music Department on racism in popular music and on working independently in the music business. In May 1995, he launched The Northern School of Writing at Bretton Hall, offering a range of short term accredited adult learning courses to the general public. These included becoming a professional writer. storytelling, journalism, stand-up comedy, investigative journalism, and writing for TV and radio, each of which he tutored or co-tutored. After he finished working at Bretton Hall in 1997, he continued to run Northern School of Writing courses independently for a couple of years. He says of this work: “We had young kids and I needed the money, but it was also a chance to self-educate in a wide variety of disciplines. All of it was every bit as steep a learning curve for me as it was for my students.”
Throughout his career as a full-time writer and performer Toczek has at various times run writers’ groups, held writing residencies, tutored residential courses, presented adult education courses and has frequently been a guest writer in colleges and universities. He’s also done one-day visits to schools, thousands of them in the UK as well as having done frequent schools tours around the world. Since 2008, he’s worked in half a dozen countries a year via Caboodle Books and Authors Abroad. As a writer-in-schools overseas he’s worked in Germany, Canada, Ireland, Holland, USA, China, France, Indonesia (Borneo, Sumatra and Bali), Egypt, Kuwait, Cyprus, Italy, Malaysia, Singapore, Spain, Qatar, Russia, Thailand, Azerbaijan, Vietnam, Jordan, Switzerland, Abu Dhabi and Dubai.
“See him if you can. He’s brilliant.” – from a review by Geoff Mellor of Nick Toczek as stand-up comedian, The Stage (23 May 1991).
“... the most exciting visual performer we have this side of Benjamin Zephaniah” – from a review by Steven Wells of Nick Toczek as performance poet, New Musical Express (4 June 1988, page 46, ISSN 0028 6362).
“At his best Toczek is bitter, disturbing, and political. His language gets harder and more effective with each publication” – from a review by Jeff Nuttall of Nick Toczek’s two books Acts Of Violence (Wayzgoose Press) and Lies (Redbeck Press) in The Guardian (January 1980).